04.30.07

Debussy

Posted in Uncategorized at 9:37 pm by anthonytobin

The more I read Debussy’s thoughts and spend time in Paris the more I become convinced that Debussy and his music depended on time and place.

Thumbnail image below, Debussy with daughter Chouchou outside the house at 24 Courtyard Bois du Bologne, in 1905. Picture taken from display at Debussy Museum, St Germain en-Laye by Anthony Tobin.
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Any art is dependent on time and place, on influences and inspiration. But Debussy lived in a unique turning point in history, when art and music really took on new directions. The movement known as DADA, electricity, and the rewards of the industrial revolution were beginning to shape modern life. Railways enabled travel and cars were beginning to take over modern life. Paris was arguably at its pinnacle between 1870-1914, when artists from Europe, Argentina, and the world made Paris the center of artistic ideas and innovation. Motion pictures were first shown in Paris for a paying audience by Louis Lumiere in 1895 and forever changed the notion of time, space, image, and reality. The relation between imagination and reality, something Debussy explore, was in the air in Paris.

The reinterpretation of expression and meaning, the use of the elements of light, line, shape, color, and in the case of music, rhythym pitch and tonality, had far reaching consequences. The seeds of Debussy’s style were apparent even in the early Arabesques. His figuration, planed textures, and even a hint of his tonal (and non-tonal) coloring were implied. As he met more artists, had more varied experiences, and cultivated his inner world of imagination and reflection, his art progressed.

By the time he moved to Ave. Bois du Bologne (Ave Foch in 1905, all he needed was his private garden across from the Park Bois du Bologne and next to a rail line. The noisy avenue was off in the distance, hidden from his study, yet in his consciousness. The birth and life of his daughter Chou-chou was the spark he needed to move his inspiration further, enabling the creation of his most fanciful and abstract works. Works which forever changed the course of the Western Classical Tradition.

Works such as the Preludes Bk II, Images Book II, the Etudes, and the Fall of the House of Usher.

More later.

04.29.07

Paris and Switzerland.

Posted in Uncategorized at 4:39 pm by anthonytobin

The April trip to Paris to shoot more for the Debussy Film went well. It did not rain a single day and the Panasonic DVX-100b captured beautiful images. I wish I were more skilled with this 24p camera, but I think the effects will be very useful for the film.

I have a working outline and am putting the film together. I am experimenting with the interviews I have done, and am beginning to record the pieces I will play in the film. It is an experiment, and at this point the format and content will likely change.

I welcome any ideas of queries. I also welcome any sources of funding!

I hope to screen the film later this summer in Austin and submit it to film festivals. I also plan to contact Tessin and ARTE in Paris. Pierre Jacquard has put me in touch with the director of the TV Tessin in Lugano.

This is a sample of what I captured.

The floor of the St Germain des Pres Eglise:
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Sacre Coeur from Ave Courcelles:
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Zürich Old Town, at dawn, with an early streetcar passing by:
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